Daniel Buckley Arts

 

 

Note: In my early days as an artist I kept meticulous notes as to when and where I did every performance. In 1987 I went to work for the Tucson Citizen newspaper, and things dramatically changed. I was forbidden from composing or performing in Tucson due to conflict of interest concerns. Also my work schedule on average was 80 hours or more per week. Yet still I worked in my studio on music projects, video and more. When the Citizen was closed by Gannett in 2009 I resumed my work as an artist. In the months ahead I will attempt to fill in some of the gaps and keep things more current.

CLICK PHOTOS TO ENLARGE

 

October:

 

 

September:

Shoot Mariachi Sonido de Mexico MY event, Julie Gallego Living Rosary meeting, (Mariachi Miracle)

Shoot sunset reflection series, Tohono O’odham water tower removal, South Tucson 75th birthday celebration, (Photography)

The Little Dinks perform, Club Congress; Fire and pool scenes [Poem From Memory w. Laura Milkins]  (Performance art)

 

July:

Create video for UA Poetry Center on educational outreach programs.

Create Spanish versions of Arizona State Museum archaeology  videos.

Shoot Mariachi Aztlan at la Paloma, Julie Gallego folklorico event, Mariachi Sonido de Mexico at Rigos, Pueblo mariachi summer camp. Create Ballet Folklorico Tapatio Nuevo Leon video

Interview Anne Felix, Fernie Sanchez, Anthony Sanchez (The Mariachi Miracle)

Shoot time lapse of Pusch Ridge. Shoot downtown neighborhood night images. Create panoramic desert images

Brainstorming for Intersections photo series. Meeting w. Laura Milkins re. photo and film projects. (photography)

June:

Shoot Ballet Folklorico Tapatio and Mariachi Sonido de Mexico rehearsal; Tape Elva Flores interview; Intense fundraising efforts; Shoot Gran Festival Folklor y Mariachi; Shoot Mariachi Vargas; Meeting with Aztlan parents; Shoot Davis Elementary summer mariachi camp; Shoot Dia de San Juan ceremony; Shoot Davis Elementary summer graduation event; Hold fundraiser at El Casino Ballroom; (Mariachi Miracle)

Teach video production at University of Arizona journalism camp; Work on/record Spanish translation for University of Arizona State Museum Archaeology Project; (Daniel Buckley Productions)

Night photography, San Augustine Cathedral; (Photography)

Record construction elements; (Music)

 

May:

Edit Tucson International Mariachi Conference Participant Showcase Videos; Shoot Hollinger Elementary Cinco de Mayo celebration; Shoot Desert View High Rehearsal with Sal Gallegos; Shoot Mariachi Aztlan final show; Shoot Tucson High Rayos del Sol; Shoot Aztlan Mother’s Day serenade; Create TIMC Mariachi Espectacular video; Shoot University of Arizona Hispanic Honors graduation ceremony; Edit UT Pan Am performance; Shoot Pueblo High Graduation; Meeting with Wilfred Arvizu, David Valdez; Shoot Ashley Alvarez graduation party; (Mariachi Miracle)

Finish, submit University of Arizona Poetry Center Student teacher video; Shoot Singer/songwriter Bob Einweck; Shoot Tucson Street Car; (Daniel Buckley Productions)

Experiment with Vienna Instruments Piano Harmonics, Kontakt Mark One and Mallet Piano and Plucked Piano sample libraries; “Nagging Doubts,” “The Other Night;” “Nebula,” Experiments with u-he Hive; (Music)

Create grayscale experiments; (Photography)

 

April:

 

• Shoot Tucson International Mariachi Conference Student Advisory Board; TIMC Instructors; TIMC registration, mariachi workshops; folklorico workshops; Participant Showcase, Mariachi Espectacular; Plaza garibaldi; Jam session; Create first booth to promote The Mariachi Miracle; Interview Tiffany Alvarez; Create video of Richard Carranza visiting President Obama; Receive donation from Pascua Yaqui tribve for The Mariachi Miracle; Shoot Tucson High rehearsal; Film Victoria sanchez on campus and at work; (Mariachi Miracle)

• Shoot Safflord  and Davis Poetry sessions for Poetry Center video; Deliver Jeffry Jahn remembrance video to Arizona Repertory Singers; Create video document of Marion Lupu 90th birthday party; (Daniel Buckley Productions)

• Photograph in Sedona, Oak Creek; Tumamoc Hill and A Mountain; (Photography)

• Experiment with Strum, water harp, Volcano, clarinet, Scarbee Bass, Lunge Lizard (Music)

March:

• Interview Linda  Ronstadt, Follow Up with Becky Monmtano, Trip to San Francisco with Mariachi Aztlan de Pueblo High; Create video of Linda Ronstadt talking about the Tucson International Mariachi Conference;Shoot Mariachi Aztlan Tardeada;  (The Mariachi Miracle)

• Shoot Poetry Center video at Davis Elementary, Second Street School; Create video for artist Kimi Eisele, Begin work on Colombian translation for Arizona State Museum achaeology project; Photograph The Remainders for Strings Magazine; Finish and deliver Nati Cano clips to Tucson International Mariachi Conference; Begin Jeffry Jahn tribute video for Arizona Repertory Singers;  (Daniel Buckley Productions)

• Photograph Scottsdale and Picacho Peak; Photograph Church at Sunset;  Enter Bewilderness Series I in Arizona Biennial; (Photography)

• Experiments, studies with Chromophone, Podolski, Absynth, Strum, Ultra Analog; Continue Prevailing Westerlies series; Experiments with creaking door sound element; Studies for clarinet, (Music)

 

 

1. Hired as producer for the Arizona state centennial website, www.arizonaexperience.com
2. Work on Cine Plaza at the Fox documentary no. 5 – “Tucson’s Heart and Soul: El Casino Ballroom”
3. Video taped Sergio Mendoza new years concert at the Rialto Theatre
4. Video tape Sergio Mendoza y la Orkesta at El Casino Ballroom
5. “100 Years, 100 Quilts” DVD released
6. “100 Years, 100 Quilts” book with Buckley photos released
7. Create monthly artist videos for “100 Year, 100 Quilts” exhibit at the Arizona Historical Society
8. Nominator for Buffalo Exchange Artist Awards
9. Video tape Ronstadt Generations at Chicago Bar

10. “Slow Dance on Saturn’s Rings” musical piece

11. Produced fundraising video, Pima Council on Aging

12. Write Ann Day portrait for collection on 50 historic Arizona women

13. Interview mariachi pioneer Tony Garcia

14. Film Pima Council on Aging’s “Ages and Stages”

15. Create TSO Centennial photos for Symphony Magazine

16. Film Planetary Sciences Institute 40^th anniversary celebration

17. Shoot Summerdog Reunion Concert

18. Create Mariachi Memories video for Tucson International Mariachi Conference

19. Shoot Tucson International Mariachi Conference

20. Shoot partial eclipse

21. Begin giant panoramic landscape photography project

22. Continue time lapse photography project

23. Re-master song by de Vie Weinstock

24. Shoot Planetary Science Institute anniversary celebration

25. Photography: Arizona roads perspective project

26. Yuma history video project for Arizona Historical Society

27. Shoot Sergio Mendoza y la Orkesta at Lumie Awards

28. “In Dying Light” music video

29. “Tucson’s Heat and Soul: El Casino Ballroom” documentary premiere, Fox Theatre

30. Shoot location panoramas in Sonoita, San Xavier Mission, Yuma

31. Join El Casino Ballroom Strategic Planning Committee

32. Present Hall of Fame Award to Linda Ronstadt and Federico Ronstadt, 2012 Tammie Awards

33. Shoot Sergio Mendoza y la Orkesta, Depedro, David Garza, Camilo Lara (Mexican Institute of Sound) at 2012 HoCo Fest

34. Create video for Mykl Wells for All Souls Procession workshops

35. Document Arizona Between Nosotros performance art show featuring Logan Phillips, Paco Velez, Heather Gray and Laura Milkins, Pima Community College West Campus

36. Create/edit video and soundtrack for “Poem From Memory” featuring performance artist Laura Milkins

37. First experiments with Five One Numerology

38. Photography, video of All Souls Procession 2012

39. Create Ballet Folklórico Tapaio video

40. Propose Photographer in Residence program for Tucson non-profits

41. Start interview series with visual artist Howard Salmon

42. Site development for panorama series

43. Awarded 201 Tucson Pima Arts Council PLACE Award  for documentary on The Rise of the Mariachi Movement in Tucson

44. Premiere documentary “Tucson’s Heart and Soul: El Casino Ballroom” at Fiesta El Casino

45. Interview Richard Carranza for documentary on The Rise of the Mariachi Movement in Tucson

 

1. Wrote San Jose VivaFest “Mexican Folk Tales”
2. Start “Money Talks” video with Curt Brill
3. Tape Lumies at El Casino Ballroom
4. Start El Casino edition of Cine Plaza at the Fox documentary series
5. Premiere Barrio Hollywood documentary for Cine Plaza at the Fox
6. Create PSAs for Celebrate Tucson (Tucson’s birthday celebration)
7. Work on ongoing Ronstadt Family portrait
8. Work on Jonestown funding
9. Start Circles of Space and Time series (time lapse photography series)

10. Co-produce video production for performance artist Laura Milkins’ “Walking Home Stories”

11. Shoot, edit Phoenix singer/songwriter Annie Moscow’s Herberger Theatre show

12. Film Tucson International Mariachi Conference

13. Shoot Play Ball for AHS, Phoenix

14. Shoot National History Day

15. Shoot Viva la Vida

16. Edit videos for Joanna Frueh

17. Creative Capital workshop – Internet for Artists

18. Dancing in the Streets

19. Received PLACE grant for El Casino Documentary

20. Blog for San Jose VivaFest mariachi conference

21. Write Ronstadt Generations historic narration

22. Nominator, Buffalo Exchange awards, performing artists

23. 45 new musical works composed

24. Extra in film “Goats” w. David Duchovny

 

2010 

 

1. Produce Michael Chihak “Great Chefs of Tucson – Janos” pilot
2. Shoot Art Ensemble of Oracle video
3. 

   Joey Burns, Calexico

   Presentation to Patagonia Rotary, Cine Plaza series

4. Release Little Dinks “Negligible Chub” CD
5. Curate Club Congress 25^th anniversary performance art roundup
6. Appearance as Blind Lemon Pledge at HoCo Fest 2010
7. Little Dinks Reunion at HoCo Fest 2010
8. San Jose Mariachi Conference – wrote theatrical scenes on the Adelitas (female soldiers) of the Mexican Revolution
9. Taped Flamenco Fest
10. Taped Los Nawdy Dogs
11.  Taped Love LTD
12. Produced Dancing in the Streets video
13. Special honor at 25th anniversary Tucson Pima Arts Council Lumie awards
14. Interview Joey Burns (Calexico), Elva Flores (El Centro Cultural de las Americas) for StoryCorp
15. Won Mountain Empire Film Festival “Favorite Film” award for “Cine Plaza”
16. 42 new musical works composed

2. Advisory Board, Relache Ensemble

3. Composed “Apollo” musical suite

4. Continued composition work on “Doorways to the Infinite” series (music)

1997:

 

1. Dancing Cactus Project (Using natural and man-made sounds of Arizona to create soundscapes)

2. Grammys in the Schools Panelist

3. Philip Glass pre-show lecture, UApresents

4. Panel Discussion on presenting work to the press. UASchool of Music and Dance

5. Buffalo Exchange Award panelist

6. Pre-show lecture, Kronos Quartet

7. Prevailing Westerlies series continues (music)

 

1996:

 

Grammys in the Schools Panelist

 

Final Little Dinks Appearance (Live Sex Show), Temple of Music and Art. (performance art/music)

 

Phase two of re-tooling: Purchase Macintosh 8100/100 computer, CD recorder, portable Digital Audio Tape Recorder, stereo microphone, pro wind screen. Started making high quality field recordings around the state of Arizona for inclusion in the Dancing Cactus series.

 

Recording engineer, Aram Gulezian, Armenian oud master.

 

Piano Studies: (Studies in Parallel Vulgarity [1-13], Hail Mary Variations [1-4]) (music)

 

Begin equipment trials, preliminary recordings for Dancing Cactus project, utilizing sounds from around Arizona to create musical works.

 

“Grammys in the Schools” panelist/speaker

 

Digitally recorded Armenian oud virtuoso H. Aram Gulezian.

 

Begin third phase of recording with Apache violin maker/musician Chesley Wilson.

 

1995:

 

April Fools Day fund-raiser show for the Central Arts Collective w. The Little Dinks. (performance art/music)

 

Composed “Mama’s a Fool” (Jonestown piece),  “Bottomless,” “Mesa,” “Atonement,” “Prepared Piano Warp,” “Trombone Quasars,” “New Age Queen,” “Cuticle Cutlery,” “Exotix,” and “Privates of Industry.” (music)

 

Digitally record trains in Gila Bend. Start the Dancing Cactus series in which natural and manmade sounds from around Arizona are turned into musical compositions.

 

Lecture Tucson Symphony Women’s Association on composing.

 

Grammys in the Schools Panelist

 

1994:

 

Performed Khachaturian “Sabre Dance” w. The Little Dinks, Tucson Symphony Orchestra “Encore!” fund-raiser. (performance art/music)

 

Composed “Soul Seduction: A Jonestown Scrapbook” for the Kronos Quartet (music for string quartet)

 

Digital recording engineer: “When the Earth Was Like New”: Western Apache Songs and Stories by Chesley Goseyun Wilson, Ruth Longcor Harnisch Wilson and Bryan Burton, (World Music Press, 1994) (CD/Cassette to accompany book)

 

Grammys in the Schools Panelist

 

1993:

 

Digitally recorded National Heritage Award winner Chesley Goseyun Wilson singing Apache traditional songs (sacred and secular), playing Apache violin and Apache flute.

 

Recorded/mixed two “Best of Tucson” science fiction radio spots for The Tucson Weekly.

 

Work with Jonestown tapes, continued studies of harmonic excitation of acoustic instruments

 

Grammys in the Schools Panelist

 

1992

 

December: Little Dinks Presidential Victory Party, Dinnerware Artist Collective (performance art/music)

 

Oct.: Significant re-tooling and wood shedding starts. Purchased Macintosh-based digital audio/MIDI recording/editing system (Studio Vision Pro, Sound Designer, Alchemy, Soundmorph, Turbosynth, Sample Cell II, Studio 5, Ensoniq EPS 16-plus, SCSI version, Overture, Mosaic, Infinity, Waves Q10, Galaxy Plus, Disk to Disk).

 

June: The Little Dinks’ “Lynch Mob Bait” cassette released. (music)

 

February: Lecture on performance art before Paul Dresher’s “Slow Fire,” University of Arizona Centennial Hall

 

1991:

 

“Little Dinks/Big Vision” – Tucson Community Cable Corporation block party, Downtown Saturday Night – Little Dinks announce plans to run for president. (performance art/music)

 

Best of Gannett Award, Specialty Reporting category for the syndicated Music In America series.

 

Appearance by The Little Dinks, Festival in the Sun Cavalcade, University of Arizona campus (performance art/music)

 

Appearance by The Little Dinks, Tucson Mall grand re-opening (performance art/music).

 

Continued research on digital manipulation of sound, digital loop studies.

 

1990:Judge for Arizona Mini Concerts’ first-annual Arizona composers’ competition.

 

Siren Song (Oct. 1990), [For choreographer Gail Chodera, San Francisco, Ca.], (music)

 

“Vanishing Point” (music)

 

Begin serious of musical explorations on harmonics, bowing of folk instruments, and harmonic arcing.

 

 

1989:

 

“The Carnival Girls” (remake) used by San Francisco choreographer Gail Chodera in “Interiors” (music)

 

July: purchase first pro-level digital sampling keyboard.

 

April:       Appearance with the Little Dinks / Phoenix Parks, Recreation and                   Library Dept., Cultural Arts Section – Black Box Theater / Mars Artspace                   Experimental Films and Performance Art Showcase

 

March:     “Building the Railroad” (instrumental from “WEST]”) for prepared steel guitar, flute and banjo featured in “Sound Images III, a showcase of electronic composers and video-electronic music projects sponsored by the Minnesota Composers Forum and Intermedia ARTS (Minneapolis, Minn.)

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Appearance with The Little Dinks, A-Mountain Neighborhood Center (music)

 

February: “The Marshal” from “WEST]” used by  New York Choreographer Austin Hartel, (premiere 10th St. Danceworks, Tucson, Az., later performed around U.S. and South America) (music)

 

January:    “Building the Railroad” from “WEST]” recorded, University of Arizona Recording Studio. )music, experimental work for prepared steel guitar, slide banjo, bowed banjo)

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Wrote text for and narrated composer Jay Vosk’s “History of the Saxophone in the Cinema” / Tenth Street Danceworks Contemporary Composers Series

 

 

1988:

 

December:   Live Recital, Tenth Street Danceworks Tucson Composers Series (w. Craig Zingg and the Long Time Ramblin’ Booty Strugglers) (music)

 

Numerous performances with the Little Dinks at various Tucson locations (performance art/music).

 

October:        Appearance W. Little Dinks (performance art) at Mars Artspace, Phoenix : “An Evening With the Little Dinks” (90 minute show)

 

August:         Solo concert of instrumental music from “WEST]” and new originals, plus an appearance w. the Little Dinks / Tucson Museum of Art (part of the “12 Good Reasons to Visit TMA” series.

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“Evolution West video by Stephen Eisweirth and Daniel Buckley among the featured works in the first annual Video Art Showcase, curated by Chip Lord (Cadillac Ranch creator) in conjunction with the Tucson/Pima Arts Council and the Tucson Museum of Art’s Biennial Exhibition of Arizona Art. Features music by the “WEST]” Ensemble  from the Oct. ’87 Central Arts Collective performance of “WEST]”

 

 

1987:

 

November:

first performance, the Little Dinks (performance art) (Central Arts Collective)

 

Oct. Performance art opera “West]” performed, Central Arts Collective

 

July: Hired as music critic by the Tucson Citizen

 

MAY:

 

Appearance with Windy Hills Improvisational Ensemble, Central Arts Collective Month O’Fun

 

“The Erotic Nightmare of Miles Standish” (Photographic Assemblage) Central Arts Collective Month O’ Fun

 

Blind Lemon Pledge ’87 with Captain Imo and the Little Dinks (performance art), Central Arts Collective Month O’ Fun

 

Juror, Grants committee on Music, Tucson/Pima Arts Council

 

April:

 

Daniel Buckley & Co. (Musical improvisation), the Cockpit

 

Architect’s Advisory Panel., Temple of Music and Art Renovation Project

 

Appearance with the Out of Sight Orchestra (music), Central Arts Collective

 

February:

 

“Ritual of Solitude” (Performance art/music), SMART benefit, Club Congress

 

Music processing for Rebecca Switzer’s “Garden of Eden,” Central Arts Collective

 

January:

 

Sound engineer for “How I Got That Story,” Invisible Theatre

 

“American Music Sampler” and “Pocket History of American Music” (audio tapes/texts) created for “Young America Through the Eyes of the Folk Artist,” Tucson Museum of Art.

 

 

1986:

 

December:

 

Appearance with Out of Sight Orchestra (music improvisation), Central Arts Collective

 

“Self Portrait in 16 Affordable Foil-Wrapped Installments” (Photographic Assemblage), Central Arts Collective “Artists Say Howdy!” show.

 

“The Ritual of Solitude” (performance art/music), 11 East Ashland Gallery, Phoenix, Performance Rodeo

 

October:

 

“Transformation,” benefit for ORTS, Club Congress (performance art)

 

Excerpts from libretto to “WEST]” (reading) and “Jonestown”  (music), Dinnerware Artist Collective Fund raiser

 

Improvisation with Larry Yanez (music), Dinnerware Artist Collective Fund Raiser

 

“Heart Breaking News” (performance art, work by Imo Baird), Tucson Museum of Art

 

September:

 

“Improvisations” with Dennis Williams (music/performance art) TCCC “Performance Projects” show

 

Sound Designer/Audio Engineer, “Baby With the Bathwater,” Invisible Theatre

 

August:

 

“Flashback II” (performance art/music), Club Congress

 

July:

 

“Atlantis” collaboration with Paul Fisher (performance art), University of Arizona Museum of Art

 

“Audio Postcards 5” (performance art/music), University of Arizona Museum of Art

 

“Blind Lemon Pledge” (performance art/music), Club Congress (opening act for Jonathan Richman and the Modern Lovers)

 

“Mummy Rap” (music/performance art), Club Congress

 

June:

 

“Atlantis” collaboration with Paul Fisher (performance art), Central Arts Collective

 

“Heart Breaking News” (performance art, collaboration with Imo Baird), University of Arizona Museum of Art

 

“Fashionable Scenes” (incidental music for performance by Ann Danforth and Robert Bray), benefit for Tucson AIDS Project, Teatro Carmen

 

“Batman,” Club Congress

 

May:

 

“The Carnival Girls/Cold and Calculating” (performance art/music), benefit for ORTS Dance Company, Club Congress

 

Awarded Southwest Interdisciplinary Arts Fund Grant for performance art opera “West]” (Daniel Buckley composer/librettist w. set designer Rosemary Geseck, videographer Stephen Eisweirth and costume designer Ann Danforth)

 

April: “TV Now!” and “Audio Postcards Part 4 (performance art/music), Central Arts Collective

 

“The Carnival Girls/Cold and Calculating” (music/performance art) University of Arizona Crowder Hall (joint concert of University of Arizona and Pima College composers).

 

“Experimental Music and New Technology” (guest lecture), University of Arizona 20th Century Music graduate course.

 

“”The Dating Game” (performance art, benefit for Tucson AIDS  Project, Club Congress

 

 

March:

 

“The Retirement of Blind Lemon Pledge” (performance art/music, Central Arts Collective)

 

Music for “The Triumph of Water in the West” (installation by Scot Wilson), Central Arts Collective

 

“Reasons For This Reason” and “Flashback 1” (audio, performance art), KXCI FM “Performance Projects” show.

 

 

February:

 

“A Chord/A Cluster/Accord” (performance art/music) w. Craig Zingg, Central Arts Collective

 

“Kactus Kazoo Kowpokes” (performance), Tucson Rodeo Parade

 

Music for Marianne Schultz’ “Babel,” Club Congress

 

 

January:

 

“Eine Kleine Pornomusik” and “Eyes On the Cornbelt” (videos/music), Video Art Network

 

 

 

1985

 

December:

 

“Periodic Table of the Elements” and “Strategies of the Impostor” (photographic assemblages), Central Arts Collective Group Show

 

Music for “Life In Hell”, Club Congress (vocals by Matt Groening)

 

“Merry Christmas, Nora” (music), Club Congress

 

“Moral Majority Kazoo Band” (performance), Dinnerware Artist Collective

 

November:

 

Music for Marianne Schultz’ “Red,” Club Congress

 

 

October:

 

Release of “Midnight Snacks” (audio tape, Twin Palms Music), collaboration with Michael Cajero (music/installation), Central Arts Collective

 

“The Return of Blind Lemon Pledge, Transcendental Lounge Act” (performance/music), Central Arts Collective

 

“Audio Postcards Part III” (performance/music, Central Arts Collective)

 

 

September:

 

“Blind Lemon Pledge, Transcendental Lounge Act” (performance), Central Arts Collective, Club Congress (grand opening)

 

August: “Violation” (audio collage to accompany photographer Judith Golden’s installation on rape), University of Arizona Student Union Gallery

 

July:

 

“Liberty 1984” (soundtrack for video by performance artist Imo Baird)

 

Elected President, Central Arts Collective

 

Appointed audio director, Video Art Network

 

 

May: “It’s Your Money” and “Music for Message Machine, Suite #1” (music/performance), Pima College Composers Concert

 

“Film Noire Vignette” w. Rosemary Geseck (performance), Territorial Dance Company Fund-raiser, Tucson Community Center Music Hall

 

April:

 

Music for Wearable Art Show, Art Network Gallery

 

“Buzingg” (musical improvisations w. Craig Zingg), Phantom Art Gallery

 

1984:

 

December:

 

“Audio Post Cards Part I” (performance/music), Central Arts Collective;

 

October: Musical Portrait of sculptor Michael Cajero, Central Arts Collective group show

 

July:

 

“Sci-Fi Hi-Fi” (audio tape) released, Central Arts Collective Science Fiction show

 

May: “Tribute to John Giorno” (performance/poetry reading), Congress Street Arts Festival

 

March: “Voice Chamber Music” (music for installation by Charles Hall), Central Arts Collective

 

 

1983:

 

Oct.: Music for performance artist Pasqual Lanaro’s multi-media piece “Daght For Muse,” Splinter Brothers and Sisters Warehouse

 

June: “Electrocuties” (audio tape) released, Central Arts Collective

 

January: Named first composer/performance artist member, Central Arts Collective

 

1982:

 

Music for painter Emily Basham’s “I Too Thought I Could Never Win the Readers Digest Sweepstakes,” Central Arts Collective

 

“Tape Loop Construction Music” (audio tape) released

 

January: Music for group show, Central Arts Collective

 

1979:

 

Named Music Editor, Tucson’s Newsreal